![]() ![]() 2, which sees Stravinsky experimenting with primitive imagery. 3, and the vocal The Faun and the Shepherdess, Op. 4, the energetic Scherzo fantastique, Op. It's an adept, beautifully orchestrated, and heartfelt work (the funeral referred to was Rimsky-Korsakov's), but it makes even more sense when combined with the colorful Feu d'artifice Op. The big news is the Chant funèbre of 1908, lost (Stravinsky said he remembered it as one of his strongest early pieces and hoped someone would uncover it), rediscovered at the Moscow Conservatory, and given frequent performances in 20. This live performance has a novel premise: it pairs The Rite of Spring with some pieces that led up to it. ![]()
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